For more than a century guitarists have been irresistibly drawn to Bach’s remarkable cello suites’ Here’ for the first time’ are the first four in the easiest and most resonant guitar keys’ Suites I’IV must be transposed to work on the guitar’ whereas Suite V is always played in A minor’ in Bach’s own lute version’ and the equally demanding Suite VI can only be played in its original key of D’ By adding as little as possible’ these arrangements preserve the integrity of the originals’

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